The Legend of Popocatepetl and Iztaccihuatl

From Dee Smith's post in Thyalwaysseek
(July 6, 2015)

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The Legend of Popocatepetl and Iztaccihuatl

"On a clear day, the towering white peaks of the legendary Popocatepetl and Iztaccihuatl volcanoes can be seen from the great metropolis of Mexico City. Rising beyond 17,000 feet in elevation, these two majestic mountains offer the viewer a breathtaking sight. Snowcapped year round, the well-known landmarks have captured people's imaginations throughout the ages. Located just 45 miles southeast of the nation's capital, Popo and Izta, as many affectionately call these two volcanoes, share a story that reaches back into the mists of time.

Geographically, these two glacier-iced volcanoes represent the second and third highest mountains in Mexico. The name Iztaccihuatl in the indigenous Nahuatl language means "White Woman" and the mountain actually includes four peaks, the tallest of which reaches 17,158 feet. Many see her silhouette as resembling that of a sleeping woman, complete with head, chest, knees and feet. Iztaccihuatl is an extinct volcano and is a popular destination for adventurous mountaineers and hikers.

Popocatepetl is the taller of the two mountains, reaching an incredible 17,802 feet in height. Popocatepetl and Iztaccihuatl are connected by a high mountain pass known as the Paso de Cortes. Popocatepetl is still active with the volcano having spewed smoke and ash as recently as 2001. In the Nauhuatl language Popocatepetl means "Smoking Mountain" and as we shall soon see, was aptly named.

In Aztec mythology, the volcanoes were once humans who were deeply in love. This legend features two star-crossed lovers (Divine Tribe), the young brave warrior Popocatepetl and the beautiful princess Iztaccihuatl. The father of Iztaccihuatl, a mighty ruler, placed a demanding condition upon Popocatepetl before he could take Iztaccihuatl as his bride. His mandate required that Popocatepetl first engage in battle against the tribe's enemy and return victorious. Variations of the legend include the added stipulation that Popocatepetl needed to return with the vanquished enemy's head as proof of his success.

The story continues with Popocatepetl setting off for battle with Iztaccihuatl waiting for her beloved's return. Treacherously, a rival of Popocatepetl's sends a false message back to the ruler that the warrior has been slain when in fact, Popocatepetl has won the battle and is ready to return to his Iztaccihuatl. However, the princess upon hearing the false news, falls ill and succumbs to her deep sorrow, dying of a broken heart. When Popocatepetl returns triumphant to his people only to encounter his beloved's death, his heartbreak is inconsolable.

He carries Iztaccihuatl's body to the mountains whereupon he has a funeral pyre built for both himself and his princess. Grief-stricken beyond measure, Popocatepetl dies next to his beloved. The Gods, touched by the lover's plight, turn the humans into mountains, so that they may finally be together. They remain so to this day with Popocatepetl residing over his princess Iztaccihuatl, while she lay asleep. On occasion, Popo will spew ash, reminding those watching that he is always in attendance, that he will never leave the side of his beloved Izta"

This is another myth that shows the Divine Twin Souls will be separated when they descend down the cycle of the Great Year. The Mountains they return to when she dies represent Kether while the funeral pyre represents rebirth and resurrection like the Phoenix. The Gods turning them into Mountains represents them in matter as they sleep, there are Greek myths that are very similar to this story too. Alcyone and Ceyx is another myth where they are turned into after they are separated by death and the Gods turn them into Kingfishers to be together showing in the Aethereal form they are always connected...

Radamantis Torres

popo e izta

Rainbows on overload .. all I see are sheep!

The homosexual agenda is taking a very ugly turn indeed.  Its been occurring right before our eyes and still the sheep do not get it.  Please educate yourself to the seriousness of trashing the divinty

People changing their profiles to a rainbow wash to show their support for trashing the divinty of the last principal of natural law.  The principal of Gender.   These people are not looking at what is good for creation.  They are caught at a low vibrating level of what is good for them as they see it.  Funny thing is they only have 4% perception and with so little they are confident with themselves being a God.

I don't have to think about this very hard at all.  It is the act of marriage that is at the core of this issue and not about homophobia.  I know that two men cannot make a baby and neither can two women and so neither of those relationships can be blessed by natural law and gender and the creation of another from the two becoming one.

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TRIGLAV

Triglav

Triglav is a three-headed warrior god. The Slavs pictured him as a god with three heads and golden bands over his eyes and mouth which he wears because of the frightening power of his eyes and so he could not see the sins of humans because he is so fond of them.


Triglav is one of the most mysterious gods in the Slav pantheon. Triglav “rules the three kingdoms”, the heavens, the earth and hell, he is invisible and the purest of deities that rarely comes down to earth because he doesn’t want to see the wrongdoings of men. The book of Veles opens with the sentence “We pray and bow to the first Triglav”, after that they immediately mention Svarog as the conceiver of all gods and after him Perun and Svetovid.

The Christian mythology also shows the Trinity in the symbolism of the three faced Jesus.. This is symbolic of the Trinity....Creator/Male/Female but it is also symbolic of the Trinity that exists within the Divine Tribes when including their first emanation "offspring"

Jesus with three faces

This statue of The Tribe of Judah shows the Trinity within the Tribe....

This represents the Trinity within the Tribe too with the Divine Male holding their offspring.

The symbolism of Mary holding baby Jesus is not actually Jesus but is showing the first emanation/offspring of Jesus and Mary. who represent the First Born Divine Male and Female... everything happens in three's

"golden bands over his eyes and mouth which he wears because of the frightening power of his eyes and so he could not see the sins of humans because he is so fond of them" <--- this is interesting because it confirms once again that at the end of the cycle it is the Divine Female that see's through Mortal Man's deceit and returns to seek justice for her God, Mother Earth and her Race.

On the Tree of Life the Pillar of Severity is on the side of the Female while Mercy is connected to the Male. We also see it is Kali the aspect of Divine Female that returns to avenger her God at the end of the Yuga or Great Year. In the Norse Mythology it is the valkyrie a group of Female Warriors who return at Ragnarok too.

 No doubt why the anti Christ fear the Divine Female so much and have sought to remove her importance from the sacred texts and reduce her to nothing more than a breeder....they know how powerful the Divine Female really is.
~ Dee Smith ~
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Number Codes and their Meanings.

 

All information decoded by Dee Smith
For more information
Thyalwaysseek on Youtube

The Jewish Milcham bird is the legend of the Phoenix.

 

The wisdom above is above what is written below which is what the ordinary thinkers are able to glean as the myth of the phoenix.  They do not glean for the truth.

The History behind the Phoenix

Pronunciation: 'fE-niks
Function: noun
Etymology: Middle English fenix, from Old English, from Latin phoenix, from Greek phoinix

Date: before 12th century : a legendary bird which according to one account lived 500 years, burned itself to ashes on a pyre, and rose alive from the ashes to live another period; also : a person or thing likened to the phoenix
- phoe·nix·like /-"lIk/ adjective

Although, it's a common legend among many ancient civilizations, the origin of the The Phoenix myth is attributed to the Egyptians. A civilization that was obsessed with eternal life. Phoenix is the Greek name given to a mythological bird offered in sacrifice to Ra, god of the Sun in ancient Egypt. This bird was similar to an eagle and possessed a splendid golden-red plumage that made it look like it was wrapped in flames. In some versions, The Phoenix was shown in flames rather than in feathers. The Phoenix lived in Arabia. According to the legends only one Phoenix lived at one time and lived for 500 years. At the end of its life-cycle, the Phoenix built a nest as it was dying and set the nest on fire and was consumed by the flames. After its death, a new Phoenix would then arise from the ashes and the new Phoenix was reborn. This cycle was repeated over and over. The Phoenix was the symbolic representation of the death and rebirth of the sun.

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Jewish Milcham
The Egyptian Bennu
The Chinese Feng
Japanese Ho-Oo
The Classical Phoenix
Simurgh
Phoung
The Astronomical Phoenix

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The Egyptian Bennu
Usually depicted as a heron , peacock , or eagle with beautiful red and gold feathers. It had a long straight back and two feathers on it's head. The Bennu (Phoenix) lived on the ben-ben stone or obelisk within the sanctuary of Heliopolis. The Bennu was said to have created itself from the fire that burned on the sacred Persea tree in Heliopolis. Or in another legend, it was the first life form to have appeared on the mound that rose from the watery chaos of the first creation. The mound was called the ben-ben and was the origin of the city Heliopolis. (Also said to have sprung from the heart of Osiris asa living symbol of the god. )The Bennu's true home however is Arabia. It only comes back to Heliopolis to die and be reborn. Osiris is said to have given the secret of eternal life to Bennu. The Bennu symbolizes rebirth and a period of new wealth and fertility, when the nile floods the earth each year. Bennu is a personification of creation and life force. According to Herodotus, Bennu flies to the sun temple in Heliopolis after 500 years, to build it's funeral pyre with incense sticks. Then it climbed onto the pyre and waited for the sun's rays to ignite the pyre while singing a song of rare and incredible beauty. It is said that a new Bennu immediatly rises from the ashes to fly it's parent's ashes to Heliopolis accompanied by turtledoves. Pliny however says that from the ashes emerges a small worm that becomes the Bennu at the end of the day.

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The Chinese Feng
The feng huang is the phoenix of Chinese writers, and, like its counterpart in Arabian story, is adorned with everything that is beautiful among birds. The etymology of the name implies that it is the Emperor of all birds; and as is the unicorn among quadrupeds, so is the phoenix the most honorable among the feathered tribes. It is described by one author, 'as resembling a wild swan before, and a unicorn behind, it has the throat of a swallow, the bill of a fowl, the neck of a snake, the tail of a fish (having twelve feathers, except in years with an intercalandery month when there are thirteen), the forehead of a crane, the crown of a mandarin drake, the stripes of a dragon, and the vaulted back of a tortoise. The feathers have five colors, which are named after the five cardinal virtues, and it is five cubits in height; the tail is graduated like Pandean pipes, and its song resembles the music of that instrument, having five modulations.

It appears only when reason prevails in the country, hiding itself at other times; and two are never seen at once; when it flies, a train of small birds always attends it. Like the unicorn it is benevolent, and it will not peck or injure living insects, nor tread upon living herbs; it alights only upon the wu t'ung tree, or Dryandra cordifolia, feeds only on the seeds of the bamboo, and quenches its thirst only at the sweet fountains.' To this account another writer adds, 'that this bird resides in the Vermilion Hills, where it eats and drinks at its pleasure, waiting for the time when peace shall pervade the country. There are four sorts which differ only in the color of their plumage.
The Arabian phoenix was described as a kind of eagle, but the Chinese represent their bird as belonging to the gallinaceous family; its eggs are the food of fairies. The drawing of it does not correspond very closely with the fanciful description given above, from which it would seem that the artist had taken the Argus pheasant as his pattern, making such modifications as suited its divine character and his notions of its form. The phoenix appears from the first to have been entirely an imaginary creature of Chinese writers, as it were a kind of inanimate yet superbly elegant statue, which they had full liberty to vivify and embellish with every benevolent quality, and make it throughout perfectly beautiful and good. It is said to have appeared about the time that Confucius was born, and is usually represented as flying in the air, while the unicorn ranges on the hills where the mother of Confucius stands in the foreground. The phoenix is often seen rudely depicted on the sterns of junks, standing on one leg and spreading its wings.
As the phoenix and the unicorn do not prey on living creatures, they are very acceptable to the Buddhists, who disapprove of the unnecessary taking of life. Many Chinese beliefs have similarly become incorporated with the Buddhism of Indian origin, which has readily adapted itself to Chinese soil. The wu t'ung, or dryandra, famous in legendary lore as the only tree on which the phoenix would alight, is an ornamental species, which grows to great height very rapidly, and has a bell-shaped flower, white without and reddish-brown within. The leaves are very large; they open early and commence to fall at the beginning of autumn. The seeds enter into the composition of the moon-cakes eaten by the Chinese at the autumnal festival of the eighth month.
The pheasant, as an emblem of beauty, is sometimes used in place of the phoenix. The designation "feng" really "includes two distinct varieties, an archaic kind like an Argus pheasant found on ancient bronzes, and a later representation which apparently combines the characteristics of pheasant and peacock.''2 The two-fold expression "feng huang" might perhaps better be rendered "Crested Love Pheasants." "In poetry many covert allusions to sexual pairing are intimated by reference to the inseparable fellowship of the feng and the huang.
The phoenix is only supposed to appear in times of peace and prosperity. It is the second among the four supernatural creatures, the first being the dragon, the third, the unicorn, and the fourth, the tortoise. It presides over the southern quadrant of the heavens, and therefore symbolizes sun and warmth for summer and harvest. "This divine bird is the product of the sun or of fire, hence it is often pictured gazing on a ball of fire. The sun being the yang or active principle, the phoenix has great influence in the begetting of children…It is six feet in height…. Its first recorded appearance is in the reign of Huang Ti, some 2,600 years BC It again showed itself in the next reign, and two phoenixes nested in Yao's palace about 2350 BC. It is not however Until the Han dynasty that we hear of worship being paid to it. Later its appearance becomes a commonplace in Chinese history, and is sure to glorify a peaceful reign or flatter a successful ruler.
Its last advent was at Feng-huang fu in Anhui, where it scratched at Hung Wu's father's grave, and the imperial power passed into Hung Wu's hands. This town now sends out enormous numbers of pictures of the phoenix to all parts of the country.

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Jewish Milcham
I shall multiply my days as the Hol, the phoenix." (Job 29:18)
Also known as Hol. After Eve ate the apple, she grew jealous of the other animals immortality and innocence. So she persuaded all of the animals to eat the fruit and share her current state of disgrace. Only the Milcham did not give into her. God rewarded the bird by putting him in a walled city to live in peace for 1,000 years.
At the end of every thousand year period, the bird was consumed by fire and reborn from an egg found in the ashes. Another legend has it that all the Milcham looses all of it's feathers and shrinks to the size of an egg. It is then reborn from that egg. He is called the guardian of the terrestial sphere. He follows the sun in it's orbit and shields the earth from the sun's rays. If there was no Milcham there would be no life on earth. Written on the Hol's right wing are the words "Neither the earth produces me, nor the heavens, but only wings of fire." He eats the manna of heaven. He excretes a worm which then excretes a cinnamen that is favored by princes. Enoch describes the hol as having the feet and tails of lions and the heads of crocodiles. They are purple and have twelve wings. They are nine hundred measures in size and follow the sun bringing heat and dew as ordained by god.

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Japanese Ho-Oo
The Japanese call the phoenix Karura, or The Ho-Oo (Ho being male and Oo being female) and he is an enormous fire breathing eagle with golden feathers and magic gems crowning his forehead, the karura or ho came to the earth to do good deeds for mankind. The appearance of the Ho-Oo represents the begining of a new era. The Ho-Oo represents the sun, fidelity and obeidiance.

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The Classical Phoenix
The Classical Phoenix is perhaps the best known. The Phoenix's true home is in Arabia , near a cool well. At dawn every morning the Phoenix would sing asong so beautiful that even Apollo would stop to listen. This Phoenix lives anywhere from 500-1461 years (according to different people) When it is near death it builds a pyre of myrrh and other spices , and sets it own fire and is burned by the flames. The new phoenix from the ashes takes the remains of it's predicessor ., embalms them in an egg of myrr and takes them to the city of the sun Heliopolis , to depoisit them on the altar of the sun god. There only exsists one phoenix at any given time. A symbolic representation of the Death and rebirth of the sun or just the sun. Some legends tell of the phoenix rising from the ashes after three days. It is also described as being either eagle like or heron like. It lives on dew, killing nothing and crushing nothing that it touches. Generally considered the king of birds. It has alternativly been called the bird of the sun, of Assyria, of Arabia, of the Ganges, thelong-lived bird and the Egyptian bird. The earliest referance to the Phoenix was made by Hesiod in the 8th century B.C., but the most detailed acocunt is by Heroditus. The Phoenix is associated with the sun god Apollo
Most beings spring from other individuals; but there is a certain kind which reproduces itself. The Assyrians call it the Phoenix. It does not live on fruit or flowers, but on frankincense and odoriferous gums. When it has lived five hundred years, it builds itself a nest in the branches of an oak, on the top of a palm tree. In this it collects cinnamon and spikenard, and myrrh, and of these materials builds a pile on which it deposits itself, and dying, breathes out its last breath amidst odors. From the body of the parent bird, a young Phoenix issues forth, destined to live as long a life as its predecessor. When this has grown up and gained sufficient strength, it lifts its nest from the tree (its own cradle and its parent's sepulcher), and carries it to the city of Heliopolis in Egypt, and deposits it in the temple of the sun. -- Ovid According to Hesiod the phoenix lives 972 generations of 33 years each. That would point the birth of the phoenix at the same moment that all the stars return to their starting positions and begin a new orbit in an eternal cycle. This is spoken of as the Great Year. Spoken plainly, the phoenix was a mirror of the universe.

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Simurgh
The persians believe in the Simurgh. The Simurgh is a gigantic bird that has lived so long that it has seen the world destroyed three times. The Simurgh has the head of a dog, four wings, orange metallic feathers, a silver head, a peacock's tail and the claws of a lion. I resides in the Tree of Knowledge that is laden with seeds from all the plants in the world. When the Simurgh leaves the tree it shakes the tree so that seeds flew in all directions. The Simurgh also lives on the mountain Alburz. The Simurgh has been known to take children in to foster them. Her touch is supposed to heal even the direst of wounds. The Simurgh is promenantly featured in the Shahnameh, an epic poem that describes the legendary kings of Persia. In this poem the Simurgh takes the infant Zal and fosters him when his father casts him out for having white hair. When Zal is grown he is a great warrior and his father seeks him out. Unfortunatly he cannot reach the home of the gods. Simurgh sees him and pities him. She takes Zal to his father and gives him one feather that he can use to summon her when in great need. Zal adapts to life nicely when he meets Rudabeh. Rudabeh and Zal finally marry. Not long after Rudabeh has a tough labor. Zal burns the Simurghs feather. Simurgh tells Zal how to preform a ceasarian. The child is Rustam, persias greatest hero.
Another tail is the parliament of birds The king of birds Simurgh drops a feather, when the other birds hear this they try to seek him out. Knowing that the king's name means thirty birds and that he lives in the mountains of Kaf. The birds travel to Kaf, among the way all but thirty of the birds quit the quest. When they finally reach Kaf they find out that they are the Simurgh and the Simurgh in in each of them.

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Phoung
the Phoung of Vietnamese mythology is the same bird. The only differences to date is that the Vietnamese state that the Phoung has the breast of a swallow, aswell as the at other body characteristics of the The Chinese Feng. And that it carries either the two sacred scrolls or a box that contains the two sacred scrolls in it's beak.

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The Astronomical Phoenix
Phe (Phoenix) is a constellation in the Southern Hemisphere of Earth near Toucana and Sculptor named by John Bayer in 1603. This constellation is almost universally recognized as a bird. The Phoenix cluster is a dense expanse of unexplored stars, named for the Phoenix Asteroids in the 20th Century film "Dark Star", by John Carpenter.

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Credits
All the information provide on this page was found at the following sites.. ahh the wonders of the world wide web ;)
http://www.phoenixpersonnel.com/html/mythology.html
http://www.mythicalrealm.com/creatures/phoenix.html
http://www.phoenixmoon.org/thephoenixbackground.html
http://www.phoenixmoon.org/bulfinch.html
http://www.geocities.com/Area51/Labyrinth/8952/phoenix.html

My dog is called Phoenix and she is a red dog and the word does also refer to the colour Red.

Phoenix and Montana-Star

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The World Tree - YGGDRASIL

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The trees are more than they appear!  This is something I call innate knowledge and the reason why I tend to talk to them like they are friends, wise friends who stand still.  Well it appears to us they are stationary but in fact they never stop moving either and trees observe everything that occurs for a long time equating to many of our life times if left to grow in peace.

The World Tree

Ragnarok is upon us all now and none of us can escape what is about to happen to any of us.  In the interim if you have prepared for this you will be spared if your heart is not found lacking.   The trumpet has been blown.

Erika Hansen - Image

 The fate of Yggdrasil during the events of Ragnarök.

In Norse mythology, Yggdrasil (/ˈɪɡdrəsɪl/ or /ˈɪɡdrəzɪl/; from Old Norse Yggdrasill, pronounced [ˈyɡːˌdrasilː]) is an immense tree that is central in Norse cosmology, in connection to which the nine worlds exist.

Yggdrasil is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.

In both sources, Yggdrasil is an immense ash tree that is central and considered very holy. The gods go to Yggdrasil daily to assemble at their things. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations; one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. 

Creatures live within Yggdrasil, including the wyrm (dragon) Níðhöggr, an unnamed eagle, and the stags Dáinn, Dvalinn, Duneyrr and Duraþrór.

Conflicting scholarly theories have been proposed about the etymology of the name Yggdrasill, the possibility that the tree is of another species than ash, the relation to tree lore and to Eurasian shamanic lore, the possible relation to the trees Mímameiðr and Læraðr, Hoddmímis holt, the sacred tree at Uppsala, and the fate of Yggdrasil during the events of Ragnarök.  Wiki
https://www.youtube.com/playlist?list...

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Emerald - The Stone of Thoth, Hermes and Divine Man from ThyAlways Seek!

Emerald - The Stone of Thoth, Hermes and Divine Man

youtube.com

https://www.youtube.com/watch?v=xAFPY9J7dTI

English: Sculpted bronze figure of Thoth by Lee Lawrie. Doors, east 
entrance, Library of Congress John Adams Building, Washington, D.C. (Photo credit: Wikipedia)

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The people of those times spurned all spiritual things and men lived only for pleasure - Kolbrin Manuscript

METGASCO never cared..

The people of those times spurned all spiritual things and men lived only for pleasure, caring little for the good of mankind or the future of the people. Lewdness and lies were upon the tongues of all men and brother could not deal justly with brother. 

The princes and governors were corrupt and proper tribute was not paid, the statues were held up to scorn.  The lives of men were ruled by their desires and they spent their days in gluttony, drunkenness, fornication, dancing and singing to the instruments of music.  The land was unattended, for men dissipated their strength in unproductive lusts and pleasures.  

Dee Smith

Women lacked shame, for many would cast their glances after one man.  Men fought themselves and even slew one another because of their lusts for worthless women, while the chaste woman were not sought.  They were even rejected, for men declined the effort of being worthy of them in the eyes of their fathers.  Wives were unhonored and only the women of pleasure commanded the attention of men. 

Women were unclean and immodest and men lay with them shamelessly in the presence of one another.  Old women were more lustful than the young ones, while virgins were seduced and corrupted in their childhood. 

Fathers fornicated before their sons and were admired for their prowess  They made no distinction between their sons and other men, or between their wives and other women.  Deceit and violence were seen on every hand" -  The Kolbrin Manuscript

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Symbolism - The Language of the Soul.

This window is the place where I do a lot of imagining.  I usually dream about big projects though and know what to do.

By Dee Smith

It is through the Soul's imagination that we can increase our capacity to know the divine; This is our spiritual growth.  This is a process of learning the archetypal language of the soul.  This is not a static language.  It is not an alphabet or symbol system.  It is the language of the imagination.

The imagination allows us to in-vision, to open the mind so that we can explore and discover the Soul's Archetypal world.  The imagination takes us beyond the banal identifications and routine symbolic representations into the depths, into the unknown within, and it is there that we encounter a divine landscape.

While current religious believers often seek God's wisdom outside of themselves, visionaries and mystics know that God speaks to the soul.  This divine communion with the soul is experienced through dreams and visions.

Jung says that the believer should not boggle at the fact that there are somnia a deo missa (Dreams sent by God) and illuminations of the soul which cannot be traced back to any external causes" (IBID, PARA. II).

But the vast majority do not turn inward to find God.  They seek God in the heavens above, in the church, in their religious leaders, even Gurus and mountaintops, but not within the soul.

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!It is easier for a camel to pass through the eye of a needle than for a rich man to go to heaven"

The path to God Consciousness is geometrically and mathematically perfect and all of the symbolism in all of the ancient culture groups point to the same information.

I have been blessed to be in the company of a friend by the name of Dee Smith who has managed through careful scrutiny of symbolism and codified works to decode the Vitruvian Man

 

Thy Always Seek - Dee Smith

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We really need to know who we are.

We need to know the truth of our divinity  because knowing who we are is important to how we see ourselves on the earth plane while we are here.   We are hear as beings of light slowed down to a solid by gravity and magnetism to a solid earth being.  The Atum is shining on us now.

This truth of our divinity was taken from us with violence and torture and hoarded in a strong hold to the anti Christ establishment otherwise known as the Vatican.   They sold us a lie of death and hell.

The crusades were nothing more than an excuse to pillage and plunder all civilizations of this knowledge so it could be kept for themselves at the expense of the masses who they enslaved into bondage to serve only them.

They murdered almost a million Cathars and stole all of their sacred Holy texts.  They called them heretics and sentenced them to the most painful deaths.  Now all we have left are remnants of these ancient texts that survived destruction and the rest was stolen by the anti-Christ Catholics to be put together in a twisted version of scripture which they then used to lull the herd into a false belief of themselves and the reality in which they exist.

Their agenda is to keep us in bondage to the physical plane  so we cannot move into our ethereal body. They do this by giving us a perception of limit and lack about ourselves. We are told that we are beings who are finite and that we will die and we will go to heaven if we are on our knees to them or we will burn in hell to burn in Eternity, and even worse still some have gone down the more foolish path of thinking there is no higher God consciousness and they are not accountable for anything they do.

The truth is we are all immortal but as with everything it comes at a price and we must be worthy of that immortality and  we have accountability for our gift of life and this is how the universe sees our expression of soul.  The truth is that we really do need to be a good soul and we need to have lived an honest life with good intent towards all fellow man and creatures then your immortality will be assured. 

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