Solfeggio
frequencies make up the ancient 6-tone scale thought to have been used
in sacred music, including the beautiful and well known Gregorian
Chants. The chants and their special tones were believed to impart
spiritual blessings when sung in harmony.
Each Solfeggio tone is
comprised of a frequency required to balance your energy and keep your
body, mind and spirit in perfect harmony.
The main six Solfeggio frequencies are:
396 Hz – Liberating Guilt and Fear
417 Hz – Undoing Situations and Facilitating Change
528 Hz – Transformation and Miracles (DNA Repair)
639 Hz – Connecting/Relationships
741 Hz – Expression/Solutions
852 Hz – Returning to Spiritual Order
Where do these tones come from?
According to Professor Willi Apel, the origin of the ancient
Solfeggio scale can
be traced back to a Medieval hymn to John the Baptist.
The hymn has
this peculiarity that the first six lines of the music commenced
respectively on the first six successive notes of the scale, and thus
the first syllable of each line was sung to a note one degree higher that
the first syllable of the line that preceded it. Because the music held
mathematic resonance, the original frequencies were capable of
spiritually inspiring mankind to be more “god-kind”.
The original Solfeggio scale was developed by a Benedictine monk,
Guido d’Arezzo (c.
991 AD – c. 1050 AD). It was used by singers to learn chants and songs
more easily.
Today we know the Solfeggio scale as seven ascending notes
assigned to the syllables Do-Re-Mi-Fa-So-La-Ti.
The original scale was
six ascending notes assigned to Ut-Re-Mi-Fa-Sol-La. The syllables for
the scale were taken from a hymn to St. John the Baptist,
Ut Queant Laxis, written by Paulus Diaconus.
In
the mid-1970’s Dr. Joseph Puleo, a physician and America’s leading
herbalist, found six electro-magnetic sound frequencies
that corresponded to the syllables from the hymn to St. John the
Baptist.
How were the frequencies discovered?
According to the documentation provided in “
Healing Codes for the Biological Apocalypse“,
Dr. Joseph Puleo was introduced, through an open vision, to the
Pythagorean method of numeral reduction.
Using this method, he
discovered the pattern of six repeating codes in the Book of Numbers,
Chapter 7, verses 12 through 83.
The Pythagorean method is a
simple reduction method, used to turn big numbers into single digits.
The values of all digits in the number are added up. When after the
first addition the number still contains more than one digit, the
process is repeated.
Here’s an example:
456 can be reduced to 4+5+6 = 15, and subsequently reduced to 1+5=6. So the number 456 reduces eventually to the single digit 6.
Dr. Joseph Puleo found repetitions of a single issue or subject in the Book of Numbers.
In Chapter 7,
verse 12 he found a reference to the first day, the second day was
mentioned in verse 18, the third day in verse 24, and so forth until the
final reference in verse 78 which is speaking of the twelfth day.
The Pythagorean reduction of these verse numbers is:
Verse 12 = 1 + 2 = 3
Verse 18 = 1 + 8 = 9
Verse 24 = 2 + 4 = 6
Verse 30 = 3 + 0 = 3
Verse 36 = 3 + 6 = 9
Verse 42 = 4 + 2 = 6
…until verse 78
Do you see the repetition of
396?
. . . . This is the first frequency.
He
found the next frequency by looking at verse 13, which is speaking of
an offering. Six verses down, which is verse 19, the same offering or
idea is repeated, six verses down at verse 25 there is another repeat,
etc.
Thus, by using the
Pythagorean method
of reduction, again he discovered a pattern. This pattern is 417. It is
the second frequency. The rest of the frequencies were found using the
same method.
The secret meanings of the ancient syllables
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| Sheet Music for Ut Queant Laxis (Photo credit: Wikipedia) |
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As
you already know, the syllables used to denote the tones are:
Ut, Re,
Mi Fa, Sol, La.
They were taken from the first stanza of the hymn to St.
John the Baptist:
Ut queant laxis Resonare fibris
Mira gestorum Famuli tuorum
Solve polluti Labii reatum
Sancte Iohannes
Literal translation from Latin:
“In
order that the slaves might resonate (resound) the miracles (wonders)
of your creations with loosened (expanded) vocal chords. Wash the guilt
from (our) polluted lip. Saint John.”
In other words,
so people could live together in peace and communicate in harmony about
the miracle in their lives, and how God blessed them to produce this
“magic”, people’s true unpolluted spiritual natures required
revelation.
The above text seems to suggest that Solfeggio notes open up
a channel of communication with the Divine.
Each syllable was
thoroughly studied by Dr. Puleo and other professional researchers.
David Hulse, a sound therapy pioneer with over 40 years of experience,
described the tones as the following:
UT – 396 Hz – turning grief into joy, liberating guilt & fear
RE – 417 Hz – undoing situations & facilitating change
MI – 528 Hz – transformation & miracles, repairing DNA
FA – 639 Hz – relationship, connecting with spiritual family
SOL – 741 Hz – expression/solutions, cleaning & solving
LA – 852 Hz – returning to spiritual order
Click here for detailed description of each tone.
Why the modern world forgot about them
The
Solfeggio frequencies were lost because throughout history different
tuning applications have been used. Ancient tuning practices used a
system of tuning known as “
Just Intonation.”
The method of Just Intonation featured pure intervals between every
note that were mathematically related by ratios of small whole
numbers leading to a much purer sound.
The tuning practice adopted
for western cultures from about the 16th century and used today is
known as “Twelve-Tone Equal Temperament”.
According to
Joachim Ernst-Berendt,
the 12-Tone Equal Temperament mistunes all consonant intervals except
the octave. Our modern scale can create situations such ‘boxed-in’
thinking, stuffed and suppressed emotions, fear-based or lack
consciousness, all of which then tend to manifest into physical symptoms
called ‘dis-ease’ or disease.
Our modern day musical scale is out
of sync when compared with the original Solfeggio scale. If we want to
bring harmony in our lives, we need to replace the dissonant western
scale with a web of subtle and clear intervallic relationships of the
Solfeggio music.
Let the music become once again a tool to
raise human nature and a method to connect you with the Source.
Your secret key to the Universe
Nikola Tesla,
the great genius and father of electromagnetic engineering, had once
said,
“If you only knew the magnificence of the 3, 6 and 9, then you
would hold a key to the universe”. The 3, 6, and 9 are the
fundamental root vibrations of the Solfeggio frequencies.
Albert
Einstein stated:
“Concerning matter, we have been all wrong. What we
have called matter is energy, whose vibration has been so lowered as to
be perceptible to the senses. There is no matter.” All matter beings
vibrate at specific rates and everything has its own melody. The musical
nature of nuclear matter from atoms to galaxies is now finally being
recognized by science.
That is why these frequencies are so
powerful. They can literally bring you back to the original tones of the
heavenly spheres and put your body into a balanced resonance.
Solfeggio
music is the key to the Universe. You can either throw it away or you
can use it to find healing and harmony, health and well-being. Just play
the music!
**This article was originally featured on
www.attunedvibrations.com.**
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