Tuesday, October 23, 2012

Solfeggio NOT Solfège.

Very often when I attempt to explain this to people who are musically gifted or have been schooled in this immediately think I maybe off my rocker once again.  I have struggled with this.  Simplicity is this.  Blog it all.

The Menorah and the Solfeggio Scale
The Solfeggio Scale is as follows, the numbers break down into 396 pattern.
1: Ut=396=9
2. Re=417=3
3. Mi=528=6
4. Fa=639=0
5. Sol=741=3
6. La=852=6


UT RE MI FA SOL LA    and UT if you so choose to start again on a higher pitch.

Solfeggio frequencies
is a term coined by Leonard Horowitz, DMD and Joseph Puleo in 1999. It is a system of musical tuning for pitched instruments, referring to a belief that a set of nine frequencies derived from numerology were used centuries ago in Gregorian and Sanskrit chants. These frequencies are believed to create positive shifts to those in proximity to them.

Naming and possible confusion

The name "Solfeggio" - and the note syllables Ut, Re, etc. - comes from Solfège, a traditional way of naming the tones - primarily of the C major scale or any major scale (Kodaly Method) -, especially in teaching singers. The healing powers attributed to "Solfeggio frequencies" or "Ancient Solfeggio" should not be confused with Solfège.

Do Re Mi is not just from the sound of music!  Means a very powerful thing  but it has been tampered with as most stuff has been and the original meaning lost as per normal these days.  Here is a small briefing to bring you up to speed instead of arguing with me over something that is just pure beauty from the ancient peoples of the stars and like I always say.  We were sung into existence by the Elohim who number 6 - correlating to each of these notes and correlating to light and colour frequency and electromagnetism and the chakras and the planets.  As above / So it is below!


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